The families approached UK Lawyers for Israel (UKLFI) which has now lodged a formal complaint with Sir Alistair Spalding, Artistic Director and Co-Chief Executive of Sadler’s Wells.
An aggressively anti-Israel act sparked fury at the Sadler’s Wells Theatre as Jewish children were left in tears.
UKLFI that during the supposedly family-friendly event on Sunday, May 5, Shadid spoke about Israel murdering a child and at one point asked the audience: “Have you been to Israel?”.
Jewish families in the audience told UKLFI that they felt vilified by his aggressive line of questioning.
At the end of the performance Shadid, who has previously performed with Craig David and Clean Bandit and appeared in dance shows at the National Theatre and Wembley Stadium, returned to the stage with a Palestinian flag, which resulted in a huge cheer of support from a large section of the audience.
‘Victimised and harassed’
At this point several Jewish children are understood to have left the theatre in tears, feeling they had been “singled out as Jews or Zionists and felt victimised and harassed”.
UKLFI said the Jewish families were particularly upset given that the theatre performance was on Yom Hashoah - the date in the Jewish calendar for Jews around the world to mourn the loss of the six million Jewish people murdered during the Holocaust.
UKLFI’s letter to Sir Alistair claims there were breaches of the Equality Act 2010 during the Breakin’ Convention, showing that Jewish, Israeli and Zionist members of the audience were harassed and subject to detriment.
The host and curator of the Breakin’ Convention, Jonzi D, has helped launch the “Academy Breakin’ Convention” hip-hop dance school, which will form part of the new Sadler’s Wells East, scheduled to be opened later this year in East London.
‘Prejudiced against others’
UKLFI says it fears the venue could be used to promote Jonzi D and other performers’ “strong views about Israel and Palestine”.
Caroline Turner, director of UKLFI said: “While it is wonderful that Sadler’s Wells is promoting new and evolving forms of dance, to attract and include diverse audiences, it needs to be careful that it does not discriminate against other members of the audience.
“Similarly, Sadler’s Wells’ new dance school in East London may be aimed at attracting a wider circle of students, but should not be prejudiced against others, and certainly should not teach hateful and divisive political views to its pupils.”
Both Sadler’s Wells and Sasha Shadid have been approached for comment.