Willie Mays, the spirited center fielder whose brilliance at the plate, in the field and on the basepaths for the Giants led many to call him the greatest all-around player in baseball history, died on Tuesday. He was 93.

At his death, which was announced by the San Francisco Giants on social media, he had been the oldest living member of the Baseball Hall of Fame. He died in Palo Alto in the assisted living facility he lived in, said Larry Baer, the president and chief executive of the Giants.

In 22 National League seasons, with the Giants in New York and San Francisco and a brief finale with the Mets, preceded by a 1948 stint in the Negro leagues, Mays compiled extraordinary statistics. He hit 660 career home runs and had 3,293 hits and a .302 career batting average.

But Mays did more than personify the complete ballplayer. An exuberant style of play and an effervescent personality made him one of the game’s — and America’s — most charismatic figures, a name that even people far afield from the baseball world recognized instantly as a national treasure.

Charles M. Schulz was such a fan that Mays often came up by name in Schulz’s “Peanuts” comic strip. (Asked to spell “maze” in a spelling bee, Charlie Brown ventured, “M ... A ... Y... S.”) Woody Allen’s alter ego in “Manhattan” ranked Mays No. 2 on his list of joys that made life worthwhile. (Groucho Marx was No. 1.) In 1954, the R&B group the Treniers recorded “Say Hey (the Willie Mays Song).”

“When I broke in, I didn’t know many people by name,” Mays once explained, “so I would just say, ‘Say, hey,’ and the writers picked that up.”