Auvers-sur-Oise, a village near Paris famed as an artist’s paradise, is also where Vincent Van Gogh spent his final days and it has long drawn tourists to walk in the tortured painter’s last footsteps. But ever since art experts identified his final work before he took his life, there has been strife in the town.

Van Gogh’s final painting was disputed for decades, because he didn’t date his works. But in 2020 experts concluded that gnarled tree roots protruding from a hillside in Auvers, as depicted in his “Tree Roots,” was made on the day he died. This finding may have settled one dispute, but it immediately stirred another, this one between the municipality and the owners of the property where the roots grow.

The main root depicted in the painting — from a black locust tree and dubbed the “elephant” by enthusiasts — abuts a public road. After the discovery of its historical value, the municipality claimed a section of privately owned land near the road as public domain, saying it was necessary for maintenance. Jean-François and Hélène Serlinger, the property owners, fought the village, and an appeals court recently concluded there was no basis for the municipality’s claim.

But the mayor of Auvers, Isabelle Mézières, has pledged to keep fighting, and she can still appeal to a higher court. After the decision, she insisted that the site should belong to the public, not private owners. “The Roots belong to the Auversois!” she wrote on social media, referring to the citizens of the region.

The continued fight over Van Gogh’s tree roots has cast a pall over what is usually a celebratory season in Auvers, population 7,000, where art tourism is a big business that heats up in the spring.