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NYTimes
New York Times
10 Dec 2024
The New York Times


NextImg:9 Best Theater Moments of 2024

Climate protesters disrupting a performance of “An Enemy of the People,” the outdoor walking scene in “Sunset Boulevard” and the giggles prompted by a character’s reaction to a hunky celebrity’s glutes in “Hold On to Me Darling”: The rewards of live theater were aplenty this year. Here, nine other stage moments that especially stood out, listed chronologically. NICOLE HERRINGTON

Expert Flopping

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Sutton Foster does some playful mugging in “Once Upon a Mattress.”Credit...Sara Krulwich/The New York Times

Sutton Foster’s performance as the unorthodox Princess Winnifred in “Once Upon a Mattress” was full of playful mugging. But it was in the show’s indelible scene that her best physical comedy shone through: sprawling atop a tower of mattresses stacked on a pea, flailing, flopping, hopping and then propped, rear-end up, like a fitful child protesting bedtime. It’s the kind of clowning that few can pull off with Foster’s ease and charm. MAYA PHILLIPS

Coroner’s Cabaret Act

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Andrew Durand, left, and Thom Sesma in the musical “Dead Outlaw.”Credit...Sara Krulwich/The New York Times

The beguilingly strange new Off Broadway musical “Dead Outlaw” retold the true tale of an Old West bank robber whose mummified corpse landed, in 1976, on the Los Angeles autopsy table of Thomas Noguchi, coroner to the stars. Noguchi is this dark comedy’s conscience — and in Thom Sesma’s performance, a fabulous showman, too. Grabbing the dangling microphone intended for postmortem notes, he delivered a slab-side nightclub number, boasting of celebrities he had cut up. Suddenly, surreally, death was a cabaret. LAURA COLLINS-HUGHES

Virtuosic Violence

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A balletic rumble in “The Outsiders” is stagecraft at its best. Credit...Sara Krulwich/The New York Times

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