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National Post
23 May 2024

Set design from the 1980s serves as the best reminder of what the decade’s maximalist aesthetics had become. Any John Hughes movie will do the trick — take Andie’s room in Pretty In Pink, which featured a mix of vintage knick-knacks and crocheted linens, or Ferris Bueller’s Day Off with its brass beds and floral wallpaper. Now, as a backlash to the longstanding minimalist aesthetic, the ’80s has become an inspiration for the new maximalism.