Roll out the red carpet, it’s Oscars night.

A full year of off-screen drama and movie magic will all culminate with the 97th Academy Awards on Sunday.

Though the Oscars typically anoint a front-runner far in advance, there have been no clear favorites during the run-up to film’s biggest evening.

“Emilia Pérez” had an early edge on the competition after snagging a nearly record-breaking 13 nominations in late January, but in the weeks since, the musical crime dramedy has been embroiled in multiple controversies.

Lead Karla Sofía Gascón, who is in the running for Best Actress, sullied much of the film’s shine after a slew of her offensive social media posts resurfaced not long after nominations dropped. The film has also been criticized for its depiction of both Mexican culture and the transgender experience.

Despite the backlash, supporting star Zoe Saldaña has managed to dodge much of the discord and remained a favorite in the Best Supporting Actress category throughout awards season.

Right behind with 10 total nominations is the sprawling post-war drama “The Brutalist” ― but the Adrien Brody-fronted film has not been without its own controversies. Scenes featuring digitally enhanced accents and computer-generated architecture sparked serious discussions about the use of AI in cinema.

While the academy usually only lets one musical (if any) sparkle each season, this year is the first time in five decades that multiple examples of the genre found their way into the Best Picture bracket. The blockbuster Wizard of Oz reimagining “Wicked” snagged 10 of its own nods, including a surprise Best Supporting Actress nomination for multi-hyphenate Ariana Grande.

Even if the film fails to nab any trophies, stars Cynthia Erivo and Grande’s marathon press campaign will get to crescendo with a live performance at the award show.

The Bob Dylan biopic “A Complete Unknown” and Vatican drama “Conclave” each received eight nominations. Papal intrigue and a lush setting helped earn “Conclave” the Best Film award at the BAFTAs, a good sign given how the British film awards often signal what resonated with Oscar voters.

While “Anora” was shut out at January’s Golden Globes, the Brooklyn Cinderella story got top honors at the smaller producers, directors and writers guilds awards, another set of accolades which regularly foreshadow Academy Awards success.

With late night legend Conan O’Brien hosting for the first time, the show is guaranteed to have plenty of ripe commentary about Hollywood, the White House and beyond.

Movie fans can tune in to the ceremony at 7 p.m. Eastern/4 p.m. Pacific time on ABC and Hulu.

A full list of Oscar nominees can be found below and winners will be updated live throughout the evening.

Actor In A Supporting Role

Yura Borisov (“Anora”)

Kieran Culkin (“A Real Pain”)

Edward Norton (“A Complete Unknown”)

Guy Pearce (“The Brutalist”)

Jeremy Strong (“The Apprentice”)

Actress In A Supporting Role

Monica Barbaro (“A Complete Unknown”)

Ariana Grande (“Wicked”)

Felicity Jones (“The Brutalist”)

Isabella Rossellini (“Conclave”)

Zoe Saldaña (“Emilia Pérez”)

Makeup And Hairstyling

“A Different Man” (Mike Marino, David Presto and Crystal Jurado)

“Emilia Pérez” (Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini)

“Nosferatu” (David White, Traci Loader and Suzanne Stokes-Munton)

“The Substance” (Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli)

“Wicked” (Frances Hannon, Laura Blount and Sarah Nuth)

Music (Original Score)

“The Brutalist” (Daniel Blumberg)

“Conclave” (Volker Bertelmann)

“Emilia Pérez” (Clément Ducol and Camille)

“Wicked” (John Powell and Stephen Schwartz)

“The Wild Robot” (Kris Bowers)

Music (Original Song)

“El Mal” from “Emilia Pérez” (Music by Clément Ducol and Camille; lyrics by Clément Ducol, Camille and Jacques Audiard)

“The Journey” from “The Six Triple Eight” (Music and lyrics by Diane Warren)

“Like A Bird” from “Sing Sing” (Music and lyrics by Abraham Alexander and Adrian Quesada)

“Mi Camino” from “Emilia Pérez” (Music and lyrics by Camille and Clément Ducol)

“Never Too Late” from “Elton John: Never Too Late” (Music and lyrics by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin)

Best Short Film (Live Action)

“A Lien” (Sam Cutler-Kreutz and David Cutler-Kreutz)

“Anuja” (Adam J. Graves and Suchitra Mattai)

“I’m Not a Robot” (Victoria Warmerdam and Trent)

“The Last Ranger” (Cindy Lee and Darwin Shaw)

“The Man Who Could Not Remain Silent” (Nebojša Slijepčević and Danijel Pek)

Best Short Film (Animated)

“Beautiful Men” (Nicolas Keppens and Brecht Van Elslande)

“In the Shadow of the Cypress” (Shirin Sohani and Hossein Molayemi)

“Magic Candies” (Daisuke Nishio and Takashi Washio)

“Wander to Wonder” (Nina Gantz and Stienette Bosklopper)

“Yuck!” (Loïc Espuche and Juliette Marquet)

Writing (Adapted Screenplay)

“A Complete Unknown” (Screenplay by James Mangold and Jay Cocks)

“Conclave” (Screenplay by Peter Straughan)

“Emilia Pérez” (Screenplay by Jacques Audiard in collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi)

“Nickel Boys” (Screenplay by RaMell Ross & Joslyn Barnes)

“Sing Sing” (Screenplay by Clint Bentley, Greg Kwedar; story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield)

Writing (Original Screenplay)

“Anora” (Written by Sean Baker)

“The Brutalist” (Written by Brady Corbet, Mona Fastvold)

“A Real Pain” (Written by Jesse Eisenberg)

“September 5” (Written by Moritz Binder, Tim Fehlbaum; co-written by Alex David)

“The Substance” (Written by Coralie Fargeat)

Best Documentary Feature Film

“Black Box Diaries” (Shiori Ito, Eric Nyari and Hanna Aqvilin)

“No Other Land” (Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham)

“Porcelain War” (Brendan Bellomo, Slava Leontyev, Aniela Sidorska and Paula DuPre’ Pesmen)

“Soundtrack to a Coup d’Etat” (Johan Grimonprez, Daan Milius and Rémi Grellety)

“Sugarcane” (Nominees to be determined)

Best Documentary Short Film

“Death by Numbers” (Kim A. Snyder and Janique L. Robillard)

“I Am Ready, Warden” (Smriti Mundhra and Maya Gnyp)

“Incident” (Bill Morrison and Jamie Kalven)

“Instruments of a Beating Heart” (Ema Ryan Yamazaki and Eric Nyari)

“The Only Girl in the Orchestra” (Molly O’Brien and Lisa Remington)

Best International Feature Film

“I’m Still Here” (Brazil)

“The Girl with the Needle” (Denmark)

“Emilia Pérez” (France)

“The Seed of the Sacred Fig” (Germany)

“Flow” (Latvia)

Best Animated Feature Film

“Flow” (Nominees to be determined)

“Inside Out 2” (Kelsey Mann and Mark Nielsen)

“Memoir of a Snail” (Adam Elliot and Liz Kearney)

“Wallace & Gromit: Vengeance Most Fowl” (Nominees to be determined)

“The Wild Robot” (Chris Sanders and Jeff Hermann)

Production Design

“The Brutalist” (Production design by Judy Becker; set decoration by Patricia Cuccia)

“Conclave” (Production design by Suzie Davies; set decoration by Cynthia Sleiter)

“Dune: Part Two” (Production design by Patrice Vermette; set decoration by Shane Vieau)

“Nosferatu” (Production design by Craig Lathrop; set decoration by Beatrice Brentnerová)

“Wicked” (Production design by Nathan Crowley; set decoration by Lee Sandales)

Best Costume Design

“A Complete Unknown” (Arianne Phillips)

“Conclave” (Lisy Christl)

“Gladiator II” (Janty Yates and Dave Crossman)

“Nosferatu” (Linda Muir)

“Wicked” (Paul Tazewell)

Film Editing

“Anora” (Sean Baker)

“The Brutalist” (David Jancso)

“Conclave” (Nick Emerson)

“Emilia Pérez” (Juliette Welfling)

“Wicked” (Myron Kerstein)

Sound

“A Complete Unknown” (Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco)

“Dune: Part Two” (Gareth John, Richard King, Ron Bartlett and Doug Hemphill)

“Emilia Pérez” (Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta)

“Wicked” (Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis)

“The Wild Robot” (Randy Thom, Brian Chumney, Gary A. Rizzo and Leff Lefferts)

Visual Effects

“Alien: Romulus” (Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin and Shane Mahan)

“Better Man” (Luke Millar, David Clayton, Keith Herft and Peter Stubbs)

“Dune: Part Two” (Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer)

“Kingdom of the Planet of the Apes” (Erik Winquist, Stephen Unterfranz, Paul Story and Rodney Burke)

“Wicked” (Pablo Helman, Jonathan Fawkner, David Shirk and Paul Corbould)

Cinematography

“The Brutalist” (Lol Crawley)

“Dune: Part Two” (Greig Fraser)

“Emilia Pérez” (Paul Guilhaume)

“Maria” (Ed Lachman)

“Nosferatu” (Jarin Blaschke)

Actor In A Leading Role

Adrien Brody (“The Brutalist”)

Timothée Chalamet (“A Complete Unknown”)

Colman Domingo (“Sing Sing”)

Ralph Fiennes (“Conclave”)

Sebastian Stan (“The Apprentice”)

Actress In A Leading Role

Cynthia Erivo (“Wicked”)

Karla Sofía Gascón (“Emilia Pérez”)

Mikey Madison (“Anora”)

Demi Moore (“The Substance”)

Fernanda Torres (“I’m Still Here”)

Directing

Sean Baker (“Anora”)

Brady Corbet (“The Brutalist”)

James Mangold (“A Complete Unknown”)

Jacques Audiard (“Emilia Pérez”)

Coralie Fargeat (“The Substance”)

Best Picture

“Anora”

“The Brutalist”

“A Complete Unknown”

“Conclave”

“Dune: Part Two”

“Emilia Pérez”

“I’m Still Here”

“Nickel Boys”

“The Substance”

“Wicked”