The following excerpt is taken from the new book “Beyond Proportionality: Israel’s Just War In Gaza,” by Thane Rosenbaum (Wicked Son/Post Hill Press, May 2025).

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INTRODUCTION: “J’accuse!” — The Case Against Israel

At the turn of the nineteenth century, a political scandal in France galvanized public opinion all over the world. Known as the Dreyfus Affair, at its root was the inexorable display and mass hatred of Jews. This same antisemitic fervor, which a few decades later would materialize into the Holocaust, had been around for two millennia. Occasionally, it would manifest itself in pogroms and mass expulsions. Along the way, it went from latent to lethal, and emanated from a lie.

This time, however, the antisemitism was organized, sanctioned by the government, fueled by the press, and openly embraced by many people who regarded themselves as highly cultivated and civilized. Artists and intellectuals took a special interest in joining the mob. And it came pre-packaged with an easily disproved conspiracy theory involving a treasonous Jewish military officer.

Jews in France had long enjoyed the full panoply of civil rights. Indeed, during the French Revolution, France had become the first European nation to emancipate its Jewish population. For nearly a century, French Jews had participated in every facet of cosmopolitan life among the professional classes and cultural elite. But suddenly, they found themselves facing a backlash unlike anything they had experienced before.

The Dreyfus Affair made the unspoken hatred of Jews not just acceptable but fashionable. Seemingly overnight, Jews in France went from being socially accepted and having a sense of security to being on the receiving end of wild denunciations for their clannishness, duplicity, greed, and dual loyalty.

And much like Nazi Germany, the nerve center of these societal convulsions burned brightest on university campuses, in the pages of the mainstream press, and wherever artists and writers congregated. The fact that it all originated from an easily disprovable lie was of little concern. The case against Dreyfus was merely a pretext to something far worse.

Credit: Post Hill Press/Wicked Son

Captain Alfred Dreyfus was an officer on the French military general staff accused of passing state secrets to Germany — the despised aggressor nation that during the Franco-Prussian War of 1870 had humiliated France and annexed Alsace and Moselle. Someone had to be blamed, and Dreyfus, a high-ranking Jewish officer, fully assimilated yet perceived as a foreigner, was an easy fall guy even though there was no actual evidence of his wrongdoing. The French legal system relied upon forged documents — manufactured by military counterintelligence — to falsify his guilt. The letters were not even in Dreyfus’ handwriting.

That’s not to say there was no spy within the ranks of senior military officers. But it wasn’t Captain Dreyfus. Two years after he was court-martialed for treason and shipped off to Devil’s Island, a notorious tropical hellhole where many prisoners died of disease and malnutrition, the French Army uncovered evidence implicating the true culprit — Major Walsin Esterhazy, who had sold secret documents to the German Embassy. But by then the nation was awash in anti-Jewish bigotry. Dreyfus should have been exonerated instantly. Instead, he was returned to France to face a new trial, where he was once again convicted and given an enhanced sentence.

Newspapers around the world covered the trial and its aftermath. A slogan representative of the times referred to Dreyfus as “the Jew who is everywhere but belongs nowhere.” It should come as no surprise to learn that the Dreyfus Affair roughly coincided with the publication of The Protocols of the Elders of Zion, another forged document, this one alleging a Jewish conspiracy to conquer the world.

Events shifted dramatically when one of France’s leading intellectuals, the novelist and playwright Émile Zola, wrote a lengthy front-page essay — famously titled “J’Accuse…!” — in which he charged the French government and legal system with a coverup. Zola wrote, “Here…are the facts which explain how a miscarriage of justice could be made; and the moral evidence, the financial circumstances of Dreyfus, the absence of reason, his continual cry of innocence…the hunting for the ‘dirty Jews,’ which dishonours our time.” Given the public embarrassment to the nation’s institutions, Zola himself was brought to trial and convicted of libel. He fled to London.

Eventually, the obsession with Dreyfus dissipated. The French government and its people finally came to recognize that they had been handed a convenient excuse to shift blame away from France’s military and rest it instead with a familiar villain. National regret ensued, and by 1906, Dreyfus was exonerated, and his rank restored.

But anyone familiar with these events can’t help but see the parallel with what is happening today. The global reaction to Israel’s eighteen-month-long war in Gaza has had many of the same elements: heightened emotions, irrational arguments, distorted histories, the rejection of obvious truths, forged documents, falsified facts, misapplied laws, antisemitic stereotypes, and worldwide anti-Jewish rage. But instead of a single Jewish officer serving as the focal point, this time it was the Jewish state, and its professional military, who stand falsely accused — and with much the same imagery. Thus, Israeli Prime Minister Benjamin Netanyahu is often depicted as drinking the blood of Palestinian children.

Such fabrications are all the more paradoxical given the events that preceded and fully justified Israel’s retaliatory war against Hamas. These sensationalized condemnations completely overlook and ignore what started the conflict in the first place. On the morning of October 7, 2023, southern Israel was invaded — by land, air, and sea — by six thousand Palestinians from Gaza. Most were terrorists with Hamas and Islamic Jihad, but many were ordinary civilians. It was a planned and coordinated attack that lasted several hours and targeted the concert-goers at the Nova Music Festival, most of whom were young peace-loving Israelis.

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This excerpt from “Beyond Proportionality: Israel’s Just War In Gaza,” by Thane Rosenbaum is published by permission from Post Hill Press/Wicked Son.

The views expressed in this piece are those of the author and do not necessarily represent those of The Daily Wire.