Robin Williams’ daughter is begging fans to quit sending her creepy AI-generated videos that digitally resurrect her father.

The famous actor and comedian died by suicide in August 2014. 

Zelda Williams, a 36-year-old filmmaker, made the remarks via Instagram Stories.

“Please, just stop sending me AI videos of Dad,” she wrote. “Stop believing I wanna see it or that I’ll understand, I don’t and I won’t. If you’re just trying to troll me, I’ve seen way worse, I’ll restrict and move on. But please, if you’ve got any decency, just stop doing this to him and to me, to everyone even, full stop. It’s dumb, it’s a waste of time and energy, and believe me, it’s NOT what he’d want.”

She continued, blasting the hollow imitation of AI-crafted versions of real people.

“To watch the legacies of real people be condensed down to ‘this vaguely looks and sounds like them so that’s enough’, just so other people can churn out horrible TikTok slop puppeteering them is maddening,” she continued. 

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“You’re not making art, you’re making disgusting, over-processed hotdogs out of the lives of human beings, out of the history of art and music, and then shoving them down someone else’s throat hoping they’ll give you a little thumbs up and like it. Gross.”

Zelda wrote in a follow-up that AI is “badly recycling and regurgitating the past to be consumed. You are taking in the Human Centipede of content, and from the very end of the line, all while the folks at the front laugh and laugh, consume and consume.”

The filmmaker previously spoke out against the use of her father’s voice for AI in October 2023, as The Daily Wire previously reported.

“I am not an impartial voice in SAG’s fight against AI,” Zelda wrote at the time. “I’ve witnessed for YEARS how many people want to train these models to create/recreate actors who cannot consent, like Dad. This isn’t theoretical, it is very very real.”

She said it was “personally disturbing” to hear artificial intelligence mimic her father’s voice.

“Living actors deserve a chance to create characters with their choices, to voice cartoons, to put their HUMAN effort and time into the pursuit of performance,” Zelda continued. “These re-creations are, at their very best, a poor facsimile of greater people, but at their worst, a horrendous Frankensteinian monster, cobbled together from the worst bits of everything this industry is, instead of what it should stand for.”