There’s a sage line in the 1972 Western classic, Jeremiah Johnson, written by the great John Milius. An old mountain man (Will Geer) says it to his former green mentee turned brutal Indian fighter, Jeremiah Johnson (a superlative Robert Redford), “You’ve done well to keep so much hair when so many’s after it.”

Conservative writers don’t need Paramount or Disney money to turn the cultural tide back to the right.
What changed Johnson from a man at peace with the wilderness into a deadly Indian stalker was their slaughter of his native woman and her son. He’d just wanted to be left alone and raise his family, until hostile forces attacked his way of life in obeyance to their unnatural beliefs. So, Johnson hit them back hard. Much like conservatives did the Left last November — politically but not yet artistically. Traditionalist art has been banned, bashed, and banished for years. The time has come for its renaissance.
Conservatives could easily live without modern entertainment garbage from the progressive bubble factory. They have two millennia of literary treasures to appreciate, and more than a century of cinematic art. And they’d been doing that for some time, as demonstrated by the box-office figures. Moviegoing has precipitously declined this century, with last year showing a five-percent drop to 71-million attendees from 2023. And the reason why is no mystery — ignorant leftwing — driven movies.
Hollywoke took away real men’s Westerns and real women’s romantic comedies while mutating their fairy-tale, science-fiction, and action favorites into anti-white feminist-transexual fantasy. That feminism and transgenderism are mutually exclusive if men can become and beat women is a contradiction the ignorant leftist filmmakers never considered, so anxious were they to embrace the latest academia-spawned idiocy. They’re not artists, they’re activists who have neither respect for the source material nor any conception of storytelling.
Evidence of the above appeared last...